The artist uses the metaphor of the sheep to produce a subjective typology
of social class broken down into seven psychological archetypes, each
represented by a sheep frozen in a specific bodily attitude, captured in a
network of vanishing lines. At the end of this research, results a series of 21
drawings (made in India ink, graphite and the imprint of stamps created by the
artist), the motif of the sheep, symbol of the relationship vertical power, as
well as an ethical posture, which is that of decentring in relation to the
dominant spaces in society, be they physical, symbolic or conceptual. This
posture constitutes the starting point of the reflection carried out by the
artist in this second part of the project produced in situ at Dar Moulay Ali,
entitled Perspective of seduction.